Alexander Senning

Alexander Senning

Alexander Senning


Ich glaube, dass Marken gewinnen, weil Menschen sie wollen, nicht weil sie sie kennen. Begehrlichkeit entsteht nicht aus Reichweite, sondern aus Haltung, Konsequenz und dem Mut, für etwas zu stehen. In über 16 Jahren internationaler Erfahrung habe ich Marken neu aufgestellt, globale Kampagnen geführt und Teams aufgebaut, die eine Marke nicht nur sichtbar machen, sondern begehrenswert.

I believe brands win because people want them, not because people know them. Desire does not come from reach. It comes from having a point of view and the nerve to hold it. In more than 16 years across international markets I have repositioned brands, led global campaigns and built the teams that make a brand not just visible, but wanted.

我相信,品牌之所以胜出,是因为人们想要它,而不是因为人们知道它。渴望并非来自曝光,而是来自鲜明的主张、始终如一的坚持,以及为之承担的勇气。在十六年以上的国际经验中,我重塑过品牌,主导过全球营销战役,也组建过让品牌不只是被看见、而是被渴望的团队。


Xiaohongshu: 5 simple steps to build a brand

Xiaohongshu as a channel: the back of a smartphone, grainy, fading from deep red into white

Xiaohongshu is the most uncomfortable channel in China for European brands, because it cannot be bought. Visibility there comes from content that other users choose to save. That is a different craft from rolling out a campaign, and it takes longer than most plans allow for.

  • The platform behaves like a searchable catalogue of experiences, not like a feed.
  • Saved posts are a harder currency than reach.
  • A brand account without its own content stays invisible, however much sits behind it.
  • Translated campaign images are spotted instantly. The visual language there is far more casual.
  • Building a presence is a twelve month project, not a quarterly target.

What separates Xiaohongshu from a marketplace

On a marketplace somebody looks for a product and compares prices. On Xiaohongshu somebody looks for an experience: how does this jacket fit, does the colour work in daily life, does the zip hold. The answers come from other users, in pictures and short texts that look like notes, which is exactly why they are believed.

For a brand that means the presence is not a shop window but a reference work. Treating the platform as another advertising surface produces content nobody is searching for. Where the channel sits next to the trading platforms is something I set out in choosing a marketplace in Asia.

How visibility is earned there

A post is not shown because it is new. It is shown because it matches a search and because people have saved it. That moves the work forward in the process: the starting point is the question somebody types, not the message you would like to send. A good headline on the platform therefore reads like an honest everyday question.

The second element is repetition. One strong post creates a spike and disappears. Twenty solid posts on the same questions build a position that still brings traffic six months later. Which makes the work editorial discipline rather than creative brilliance.

Five steps to build a brand on Xiaohongshu

  • Start by collecting the questions actually being asked in your category. That is research, not a brainstorm.
  • Set up a verified brand account before working with creators. Otherwise the reach accrues to nobody.
  • Produce in the visual language of the platform. Unpolished everyday shots beat the campaign shoot.
  • Work with many small voices rather than a few large ones. Credibility scales through volume there.
  • Measure saves and comments, not impressions. Only the first two say anything about intent to buy.

None of these five steps is spectacular, but together they decide whether a presence on Xiaohongshu is an asset after twelve months or a collection of separate activations.

Where western brands fail

The most common mistake is translation. A campaign text that works in Europe is carried over into Chinese and reads like a brochure. Xiaohongshu rewards a voice that speaks personally and admits weaknesses. How far a brand voice can travel without becoming arbitrary is something I described in translating a brand voice.

The second mistake is impatience. After one quarter there is no revenue in the report and the budget moves back into performance. The build then restarts at zero whenever somebody picks it up again. Slow growth is forgiven there. Interruption is not.

The third mistake is ownership. If the channel sits with an agency and nobody inside the company reads along daily, no instinct develops for what is being asked right now. That proximity cannot be bought in.

There is also a misunderstanding about paid media. Paid placements do work on the platform, but they amplify what has already carried organically. Putting budget behind a post nobody saved buys attention without a follow-on. The order is the reverse of what many media plans assume: first see what works by itself, then amplify. Which presupposes that enough material exists to choose from in the first place.

Taking Xiaohongshu seriously means running the channel like a small editorial desk with a long horizon. That is more expensive than a campaign and cheaper than a second attempt three years from now.

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